Category Archives: Evelyn’s articles

Articles written by Evelyn

Why Journalism Now?

Yesterday I had one of the great honors of my professional life: I got to introduce the launch of a Journalism major at Loyola Marymount University. It was a momentous day to be talking about the newsgathering profession, as I acknowledged in my opening remarks before Los Angeles Times columnist Steven Lopez took the stage and inspired the approximately 200 audience members — most of them students — with his stories and advice. Afterward, he and HLN anchor/CNN writer Carol Costello discussed the state of the news industry, sometimes heatedly. A day later, when CNN’s reporting of a confrontation between two women and Senator Jeff Flake apparently marked another turn in this dramatic story, my comments about the convergence of journalism and feminism seem more appropriate than ever.

This is an extraordinary day. I have to acknowledge the pedagogical irony that we journalism professors constantly tell our students they must stay on top of the news, and then we have asked you to be here in this room instead of glued to your screens or radios. We didn’t know, obviously, when we picked this day what would happen. I promise we will only keep you for an hour, and then we can all get back to events in Washington. I also want us all to keep in mind how emotionally difficult today’s hearings can be for many of us. We talk a lot about trigger warnings in academia. Today was explosive for many of us, not because we are snowflakes, but because we are human beings. So please treat each other with especial kindness and empathy this difficult week.

I was going to start my introduction with the question, Why journalism now? But today’s hearing answers that question for me. Two of the most important forces in my life — journalism and feminism — have come together to challenge the citadels of power. From Gretchen Carlson to The New York Times, Times Up to the Washington Post, and MeToo to The New Yorker, citizens and journalists have exposed abuses of power. The fruits of that labor — and it is labor, hard, harrowing, exhausting work — are playing out in the senate as we speak. And the attacks on the media — attacks that have become deadly in our own country — are also being renewed right now, in DC. Let me assure you: LMU Journalism is not training the enemies of the people. We are teaching the reporters, editors, videographers, photographers, reviewers, anchors, columnists and podcasters of tomorrow how to inform the people.

LMU decided to launch a journalism major because young people asked for it. Students enrolled here asked for it and students applying here asked for it. Indeed, though we officially became a major only this fall, we have almost 50 students enrolled already. They asked not because they are looking for a sure way to make a living. I’m here to tell you right now that you don’t get rich being a reporter. They asked because they care about the world that they are inheriting, and they know that journalism is a way to make that world a better place. They understand that a free and open press is fundamental to the functioning of our democratic republic, and they want to make sure that press presents and represents them. We are a Journalism program, housed in a department with a tradition of rhetorical analysis, in a college dedicated to understanding humanity, at a university committed to personal and cultural transformation: Telling people’s stories is our mission.

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My Aretha piece

In the sad, crazy tumult of the passing of the Queen of Soul, coinciding with the start of classes, I forgot to post my tribute to Aretha Franklin, which I was honored to write as the cover story for Billboard‘s tribute issue. Here it is: https://www.billboard.com/articles/news/magazine-feature/8471733/aretha-franklin-path-to-greatness-obituary

 

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And “The Feminine Critique”!

In my list of articles I was blessed to write for the late, great Village Voice, I forgot to include perhaps the most significant: “The Feminine Critique”: the not-so-secret history of women rock critics that reclaimed the legacies of Ellen Willis, Karen Durbin, Jaan Uhelszki, Carola Dibbell, Donna Gaines, and many others and that became the basis of my first book, Rock She Wrote, coedited by Ann Powers. That article also obliquely pointed out one of the failures of the Voice as well, which at that point in its already long career, had not had a female music editor. I now teach a class called The Feminist Critique.

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How I Found My Voice

I first became aware of The Village Voice in high school, when my older brother, Brett, used to go the Beloit, Wisconsin, public library to peruse its political investigations and music coverage. We were both discovering punk rock, watching Patti Smith on Saturday Night Live, and we could read about the newest bands from CBGB’s in the Voice. Later, in college, I got assigned to write about it in my one and only journalism class. Within a few years, I was copy editing and writing there, ultimately becoming a senior editor in charge of music. It was a crazy, difficult, exciting place, and the work I did for them — “discovering” Paul Beatty and the rest of the ’90s NYC lit scene bubbling around the incredible Nuyorican Poets Cafe, traveling to New Zealand to write about music, covering Rent as it moved from Downtown to Broadway and beyond, interviewing John Cameron Mitchell and Stephen Trask, the creators of a new musical called Hedwig and the Angry Inch; writing about punk drag artists such as Justin Bond and Miss Guy — still defines me. And then there was my one and only cover story, the first major interview with Patti Smith after her husband Fred died and she returned to the stage — an incredible encounter with the woman who made me want to be a rock’n’roll critic, and move to New York, and dive into the sea of possibilities. RIP Voice. Say hi to Aretha.

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Why the Go-Go’s Matter

The Go-Go’s not only deserve to be on Broadway, they should be in the Rock’n’Roll Hall of Fame. Here’s an essay I wrote explaining why they matter, from The New York Times.

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Liz Phair to the Rescue!

Liz Phair is sitting in the Rose Café, a well-loved Venice, California, eatery where tech-industry entrepreneurs munch quinoa alongside music-biz hipsters sipping lattes. The critically adored singer-songwriter does not look like 25 years – sufficient time for her to conceive, deliver, raise and send a son off to college – have intervened since her debut album, Exile in Guyville, made her the Rolling Stone cover girl for third-wave feminism. She ignores her matcha until a foul odor of burning oil wafts over from the kitchen – a peril of open-air design. Phair coughs. Once, twice, repeatedly. It’s as if something heavy and toxic has seeped into this bastion of urban chic, landed in her sensitive lungs, and has to be expelled, forcibly and immediately. She perseveres, telling me about how the book she has written was compelled by the election of Donald Trump, her voice cracking under siege. Then I begin coughing.

“It’s affecting you too,” our canary in the coal mine exclaims. “Sorry, I’m going to save you.” She flags down a server and we move beverages and recorder to the bar, far from noxious fumes.

Liz Phair does not suffer irritants quietly. And lately, irritants abound. Once again, men are excluding women from power, reducing them to sexual objects, and shutting down or demeaning their modes of expression. It’s Guyville redux, only this time, it’s not just faux-alternative hipsters in the indie-rock scene of Chicago in the early 1990s. It’s the top dog in the White House.

I caught up with Phair recently for The Guardian, one of the world’s greatest newspapers. I have to admit I was heavily influenced by the great interview Allison Wolfe did with her for Women Who Rock. Read my interview with Liz here: https://www.theguardian.com/music/2018/may/03/liz-phair-trump-change-her-music-exile-in-guyville-25-years

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Dolores O’Riordan and Feminist Magazine

I talked about the death of Dolores O’Riordan, and the recent spate of deaths of musicians of her era, with the great Lynn Ballen on her Feminist Magazine show on KPFK. You can hear it here:

https://app.stitcher.com/splayer/f/40348/53003344

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