Tag Archives: Rhys Ernst

Girl Power Night With Pussy Riot & Transparent

Allison Wolfe (left) and Nadya Tolokno. Courtesy of Allison

Allison Wolfe (left) and Nadya Tolokno. Courtesy of Allison

Last night was a queer punk rock feminist dream come true, hanging with and hearing some key gender game-changers, past and present. First, Allison Wolfe and I went to the Ace Hotel, where Nadya Tolokno of Pussy Riot was holding court. It was the first time the original Riot Grrrl had met the original Pussy Riot girl, so that was a bit of a moment. We also ran into Mukta Mohan and Gabrielle Costa of the very cool Honey Power female DJ collective. Lots of girl power on that rooftop last night. Tolokno showed her three new videos, in which Putin’s least favorite punk raps and grooves. The former art student is pursuing a more Madonna/Peaches/PJ Harvey groove than the band’s former anarcho thrash. The videos are very sexualized, and bloody. Allison will be on a panel with Maria from Pussy Riot Monday night at the Regent, so she is on the full PR tour this week.

Afterwards, the Sex Stains goddess and I trucked up to USC, where we caught the second half of the Trans/Gender Tipping Point event organized by Jack Halberstam and Karen Tongson, two scholars whose work is not just analyzing but leading the discourse on gender variance. Four members of the Transparent artistic team talked about that show’s, er, transformative effect on trans visibility, television, and their own lives. Director Silas Howard, producers Zackary Drucker and Rhys Ernst, and actor Trace Lysette also discussed how the show could go even further, including having feature characters who have fully transitioned. Howard, for one, is optimistic the show will continue to break ground, saying of Jill Soloway’s Transparent team, “Whenever they’re most afraid, they most bravely go forward.” Stay tuned.

Some students asked me recently what the best part of being a journalist is, and I would say it’s being a witness to the making of history. Being in a room with Howard and Wolfe again, a couple decades after we were all first connected to Revolution Girl Style, or watching Allison and Nadya talk, or being dazzled by Lysette’s simultaneous poise and vulnerability — it felt like another of those nights. That’s my blessing as a journalist; my job is to tell you about it, which I just did.

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