Big news for San Pedro: The next production of The Industry, the site-specific, tech-savvy, game-changing Los Angeles opera company, will take place at Cabrillo Beach in 2017. The Industry is pretty much the coolest theater company in Southern California, if not the world. Their production of Invisible Cities, based on the Italo Calvino novel, was staged at Union Station, with protagonists Marco Polo and Kublai Khan mingling with real travelers in real time. Last year, their “mobile opera” Hopscotch moved from various spots in Downtown LA. Both drew tremendous acclaim and press attention.
The company debuted a gorgeous film of Invisible Cities at Pedro’s Warner Grand Theatre this evening. They opened the event by announcing Bertolt Brecht’s Galileo as their next production. The show will take place around a bonfire on Cabrillo — aka my front yard. (After the party, there will be the after-party.) Artistic Director Yuval Sharon said the Industry chose San Pedro because of our town’s (see what I did there? “Our Town?”) “long rich history of labor equality, their union history, and their connection to the port.” Galileo depicts the battle between reason and authority — a timely issue, as Sharon noted. The Industry will be working in collaboration with Tim Robbins’ politically conscious The Actors’ Gang (whom I saw stage a production of Our Town, coincidentally, several years ago), with art by locally based sculptor Liz Glynn. Even more encouragingly, Sharon said the company is eager to work with homegrown businesses and talent. Representatives of locals-only arts organizations San Pedro Ballet and Grand Vision were in the house.
As a denizen of the beach, I’m not so crazy about Sharon’s request for a helicopter; we get enough of those around here, thank you very much. But otherwise, as we say around these parts, STOKED.) Galileo will take place September 16, 17, 23, and 24.
Ironically, right before the announcement and screening, the San Pedro International Film Festival wrapped with a panel discussion about establishing a creative corridor in town. The conversation was interesting but lacking in context and depth, conflating technology with arts and never addressing how gentrification is another word for displacement. The whole conversation was largely rendered moot with the Industry’s announcement next door, though the panelists seemed oblivious of the pending tremblor. In the words of Angela Romero, “that’s so Pedro.”