Tag Archives: lita ford

The Incredible Tammy Faye

The Stay-At-Homes

The Stay-at-Homes

Like a good – and female – drag queen, Tammy Faye Starlite doesn’t impersonate great women; she invokes them. She’s most famous for her Nico act, Chelsea Madchen, which is smart, funny, tragic, and lovely. While aptly pointing out the anti-Semitic Velvet Underground singer’s numerous faults, she also made me appreciate her talent. I haven’t seen Tammy’s Blondie tribute band the Pretty Babies or her Runaways manqué the Stay-At-Homes. But from the way she talks about learning to portray Debbie Harry and Cherie Currie, I know she gets it.

“I really love Cherie’s voice – it’s husky and she imbues each song with both attitude and subtlety, similar to the way Debbie Harry does, although their sounds are so different,” Faye said in a recent email. “Cherie is so much fun to play onstage – she has certain signature moves – the single knee-bend, the arm flap, the squat/crouch, the Bowie-esque mime. She was definitely in command as frontwoman, which I love. I also love the L.A. inflections in her voice and her slightly Liza Minnelli-style ‘s.’ She’s a very physical performer – she bodily punctuates the beat and is full of kinetic energy. Debbie Harry is also physical, but to me she seems much cooler, much more ‘come to me’ as opposed to beseeching the audience to come to her. Nico barely moved at all – I love doing her almost catatonic stance, but it’s hard for me, in a way, because I’m inherently a spazzy freak and cliched ‘entertainer.’ (Must be my Jewish upbringing.) As Cherie, I get to be my teenage self, who jumped in front of the mirror with a hairbrush and did interpretive dances to ‘Honky Tonk Women.’ (Also, shamefully, to Billy Joel’s ‘My Life,’ but we’ll keep that to ourselves.)

“Speaking of Judaism (were we?), I think my favorite song to do is either ‘American Nights’ – it’s so gloriously anthemic – or Lou Reed’s ‘Rock and Roll’ (even though my husband pointed out that the Runaways do the Mitch Ryder version). It must be the New Yorker in me – I have to stop myself from saying, ‘She stawted dee-ancin…’ I don’t always succeed in that endeavor.” Continue reading

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New York, New York!

 ALL HAIL THE QUEENS OF NOISE!

 

EVELYN MCDONNELL READS FROM HER ‘RUNAWAYS’ BEST SELLER,

THE STAY-AT-HOMES CHANNEL CHERIE, JOAN, JACKIE, LITA AND SANDY AT THE CUTTING ROOM ON THURSDAY MARCH 6

“They had something that cannot be manufactured, no matter how cunning your maverick manager is: a spark of explosive creative chemistry, the primal energy that Iggy Pop calls ‘raw power.’ The Runaways could play like the boys, but without once pretending they weren’t girls.”  – Evelyn McDonnell/ Queens of Noise

 

Evelyn McDonnell, author of Mamarama: A Memoir of Sex, Kids and Rock ‘n’ Roll, former pop music critic for the Miami Herald and Village Voice senior editor, and journalism professor at Loyola Marymount University, will be joined by The Stay-At-Homes, the much- celebrated Runaways replicant band, for a multi-tiered evening of performance events at New York’s Cutting Room. The renowned journalist will bring Queens of Noise, her critically acclaimed biography of The Runaways, the legendary ’70’s SoCal all-girl band, to glam-rock life at the Cutting Room on Thursday, March 6th at 10pm.

 

Bask in the California paradise that was the ’70s Sunset Strip with the author as she reads excerpts from her groundbreaking book and rock out with the premiere Runaways tribute band, The Stay-At-Homes.  Their take-no-prisoners lineup includes downtown performance chanteuse/provacateuse Tammy Faye Starlite (just named by Time Out New York as one of the top ten cabaret artists of 2013 for her role as Nico in Chelsea Mädchen) in the role of Cherie Currie; Jill Richmond (the Aquanettas) as Joan Jett; Linda Pitmon (the Baseball Project, Steve Wynn’s Miracle 3) as Sandy West; Heidi Lieb (Sit ‘N’ Spin) as Lita Ford, and Monica Falcone (Sit ‘N’ Spin) as Jackie Fox. With special guests Miss Guy (Toilet Boys) and Karyn Kuhl (Gutbank) on vocals and Theo Kogan (Lunachicks) on Armour Beauty lip gloss.

 

Relive the sunshine-and-neon era of Lurex, leather and jailbait juvies! Be sure to wear your feather earrings and satin shorts, wing your hair and climb into those platform boots! ‘Ludes optional but recommended.

 

The Cutting Room is at 44 East 32nd Street, New York. Tickets will be $15 in advance, $20 at the door. Show time is 10 p.m. http://ow.ly/t0NC8

 

>>Part of the proceeds will benefit the Willie Mae Rock Camp for Girls<<

 

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Rock This Christmas Down

USA Today is streaming the carol by Lita and Cherie. What do you think?

Holiday tune reunites Runaways Lita Ford, Cherie Currie.

via Holiday tune reunites Runaways Lita Ford, Cherie Currie.

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Pittsburgh Post-Gazette Praises #QueensofNoise

It still amazes me when reviewers completely get what I wanted to achieve with Queens of Noise. Fortunately for me, a lot of them do. The latest wonderful review of the book comes from Wayne Wise in the Pittsburgh Post-Gazette. Spoiler alert: the ending follows.

“Ms. McDonnell cuts through the mythology and personal memories to find the larger story. She looks beyond the labels without losing their significance. The Runaways were exploited teenage girls. They were revolutionaries who changed history, strong women who followed their dreams.

They were vulnerable girls who were overwhelmed by sex, drugs and rock and roll. They were rock stars. They were, in their time, failures. They were all of these things. Ms. McDonnell is aware of the mythology that surrounds this band without ever losing sight of the real people involved. She gives them back their humanity while maintaining their status as legends.”

via \’Queens of Noise\’: How the Runaways opened doors for women rockers – Pittsburgh Post-Gazette.

via ‘Queens of Noise’: How the Runaways opened doors for women rockers – Pittsburgh Post-Gazette.

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Record Collector News Cover

Here it is, the first cover story on Queens of Noise, even has my name on it!

Record Collector
Record Collector

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Fowley on Lita and Cherie

“They’re easier to deal with as women than they were as girls,” says Kim Fowley of his recent collaboration with Lita Ford and Cherie Currie. It had been 36 years since the Sunset Strip provocateur had been in the same room with the two Runaways, and there had been a lot of shit talk during that time. But when the three sat down at a recording console to see if they could somehow reach artistic accord, Kim says that they found, lo and behold, that they had all grown up — even him.

“They’re very professional and knew their stuff,” the septuagenarian Svengali says of the women he used to call “dog cunts,” back when they were his teenage charges. “They knew more than they knew then. They had 36 years of knowledge. And then the cops came.”

Yes, that’s right, on a Saturday night in Hollywood, someone actually called the police complaining about the noise coming from the recording studio. Apparently LAPD were bemused to find the wheelchair-ridden Fowley with his various body-fluid bags in tow and a couple of  hot-looking women in their fifties. “When somebody says turn it down, there’s danger in the air,” Kim says.

The producer/songwriter, who’s battling bladder cancer, says the material is in Ford’s hands; this time, the ladies are in control.

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Legendary Lita Ford Interview

Lita Ford talks about her new live album to the Rock River rockers of Legendary Rock Interviews.

via Lita Ford On Her Killer New Live Album,Upcoming Book, Single, Days of The Dead Convention and More! | Legendary Rock Interviews.

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