Tag Archives: allison wolfe

Grrrls on Stage and Tables

Grrrls on Film this weekend will culminate not just with Grrrls on Stage — bands, spoken word, DJs, host Allison Wolfe — but also Grrrls at Tables. Numerous individuals and organizations will be offering their services and wares in a fair on the Alumni Mall of Loyola Marymount University. The musical guests are Kim and the Created, Colleen Green and Peach Kelli Pop. Original Runaways lyricist Kari Krome will share some choice words, as will LMU faculty Sarah Maclay and Alicia Partnoy and student Kaelyn Sabal-Wilson. And KXLU DJs Mukta Mohan, McAllister, and Taylor 2000 will spin discs.

You will be able to buy clothes, including Grrrls on Film T-shirts (proceeds go to scholarships for LMU students), make fanzines at the table sponsored by the William H. Hannon Library, learn bike repair with the Ovarian Psychos, and even make a video at a booth sponsored by the Music Video Program of Rock n’ Roll Camp for Girls Los Angeles. We’ll have three rock camps on the mall: Chicas Rockeras and RC OC too. And two all-female roller derby teams: Los Angeles Derby Dolls and Angel City Derby Girls.

Additional participants: Marians, Mcpheeters, Feminist Library on Wheels, Geek Girl Society, An Unexpected Hobby, Honey Power DJ Collective, KXLU, the LMU Committee on the Status of Women,  LMU SFTV grad programs, Fanboy Comics, Old Friends Vintage, and Razorcake magazine. Check the website for details and to register (it’s free but we need a head count).

Also, Richeeze food truck.

Here’s a video by Pajama Jeer made by Rock Camp’s MVP in 2015:

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#GrrrlsonFiLMU Lineup Announced

Kim and the Created

Kim and the Created

I’m extremely pleased to announce the lineup of the Grrrls on Film festival at Loyola Marymount University March 18-20. We have an incredible array of films by, for, and about women. All participating filmmakers will be present, plus a few. There will also be a concert outdoors featuring Kim and the Created, Colleen Green, Peach Kelli Pop, KXLU DJs, spoken word, and more. The press release and complete schedule are below. We will be presenting more details during the upcoming weeks. And, it’s all free!

Loyola Marymount University presents GRRRLS ON FILM, a free festival featuring films and music from groundbreaking female artists, on the LMU campus March 18, 19 and 20, 2016

Confirmed participants include Penelope Spheeris (The Decline of Western Civilization, Wayne’s World), Floria Sigismondi (The Runaways), Karyn Kusama (Girlfight), Alice Bag (the Bags), Kim and the Created, Nao Bustamante, Phranc, Allison Wolfe (Bratmobile), Colleen Green, Kari Krome, Peach Kelli Pop, Nicole Panter, Raquel Gutiérrez, Jill Reiter (In Search of Margo-go) and Lizzie Borden (Born in Flames)

For Immediate Release — Grrrls on Film is a weekend-long celebration of the feminist acts of making sound and vision. The festival and forum at Loyola Marymount University gathers together pioneers in movies, music, art and activism to address what has become one of the hot-button social justice issues of our time: lack of diverse representation and expression in arts and entertainment. The event borrows its name from the Riot Grrrl movement of the 1990s, which fused the Do-It-Yourself credo of punk with Third Wave Feminism’s call for self-determination. Continue reading

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We Will Bury You: Alice, Allison, Punk, and LA: #GrrrlsonFiLMU

Alice Bag and Allison Wolfe are two of my personal heroes. As part of her coursework at USC, where she is an Annenberg Fellow (following in my footsteps!), Allison interviewed Alice. It‘s a great little podcast and article. Alice talks about the omnipresence of violence, which I’ve been thinking a lot about today, occasioned by this powerful article also by a Chicana punk. I’m glad today’s young punks are speaking out about the affronts that seemed casual and inevitable when Alice and I were growing up. It’s called progress, people. Believe.

Shameless plug: Alice will be on the We Will Bury You panel about LA punk at Grrrls on Film on March 19 (with Phranc, Nicole Panter, Raquel Guttierez, and Ruben Martinez), and Allison will be at the concert March 20. We’ll be screening The Decline of Western Civilization that Saturday as well, with director Penelope Spheeris and her daughter Anna Fox in the house. Details and reservation link coming soon; stay tuned to this blog and, always, to KXLU.

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#GrrrlsOnFiLMU

Dear readers,

I know I’ve been fairly quiet the last few months. Never fear: I have been busy. Along with my LMU colleague Sharon Mooney, and several other students and faculty, we have been planning. Plotting. The official announcement doesn’t come for a couple weeks, but I wanted to let friends, followers, and family know about this incredible event we are putting together:

gof_2016

GRRRLS ON FILM
MARCH 18-20, 2016
MAYER THEATER and ALUMNI MALL
LOYOLA MARYMOUNT UNIVERSITY
LOS ANGELES

Grrrls on Film will be a weekend-long cinematic celebration of the feminist act of making noise. From the experimental movies of Lizzie Borden to Riot Grrrl documentaries to the rockudramas of Floria Sigismondi, this festival will offer a multi-decade tour of ways in which women have used the sonic, stylistic, and political tools of punk to create modes of expression that subvert gender and transgress genres. Grrrls on Film draws on both movies made by female directors, including Penelope Spheeris, Alix Sichel, and Abby Moser, and movies about noisemakers, such as the Bags and Bikini Kill. It particularly offers a triptych through LA punk, from the pioneering efforts of the Runaways, through the emergence of hardcore, to the Go-Go’s pop breakthrough, to Riot Grrrls’ reclamation of Southland moshpits. Many of the directors and musicians as well as other cultural and gender studies scholars will be on hand during the three-day festival to present and discuss these seminal works, which have never before been presented together. Student-made videos will also be shown.

Grrrrls on Film is a collaboration among faculty of the Bellarmine College of Liberal Arts, the School of Film and Television, and the College of Communication and Fine Arts at Loyola Marymount University. In addition to screenings and director’s talks, there will be a concert sponsored by KXLU and expert panels featuring filmmakers, musicians, and scholars. Organizations that promote and support women in film, music, publishing, the arts, and academia will be on hand to provide information and resources and present workshops on topics such as how to make fanzines, shoot video, or repair bikes. With the film industry under governmental and media scrutiny for gender and racial bias, we think it’s a great time to explore the history and future potential of Girl Power.

Confirmed participants include Alice Bag, Floria Sigismondi, Allison Wolfe, Penelope Spheeris, Phranc, Anna Fox, Jill Reiter, Abby Moser, Ruben Martinez, Michael Lucid, Lucretia Tye Jasmine, and Vega Darling. Some of the films featured are The Runaways (Sigismondi), The Decline of Western Civilization (Spheeris), Born in Flames (Lizzie Borden), and In Search of Margo-Go (Reiter).

Open to the public, and free! Book your flights now.

Updated Jan. 6 1 p.m.: Lucretia Tye Jasmine (Quinn and Daybreak) and Michael Lucid (Dirty Girls) added to list of participants.

Updated Jan. 6 3:15 p.m.: Also just added to the list of participating filmmakers: Lizzie Borden (Born in Flames) and Adebukola Bodunrin (Golden Chain).

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Punk Feminism at Stanford Podcast

The Punk Feminism show at Stanford May 12 with Alice Bag, Allison Wolfe, and myself was nicely documented in a podcast feature by Liam Kane-Grande for the Peninsula Press. He makes great use of music by the Bags, Bratmobile, and Sex Stains — unreleased tracks! Hear them here first! They sound great.

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Oh Bondage Up Yours: The Punk Rock Sexual Revolution

punkfeminismI promised I would post the remarks I made for the Punk Feminism and The F Word shows in Stanford and Oakland last week. The first half of my presentation, with images from the slide show and notes of music cues, follows. I’ll post the Patti Smith critical karaoke another day. The lecture began with music: X-Ray Spex’s “Oh Bondage Up Yours.”

Punk is a female energy.

Look it up, in the Oxford English Dictionary. The first use of the word punk dates back to the 17th century and meant strumpet or whore. Later, the word referred to catamites, aka homosexuals, and then petty thieves. Etymologically, punks are gender outlaws – the OG victims of slut shaming and fagbashing. PunkwomenMusically, punk is the sound of dissonance, of dissent against even the hegemony of dissent. Making noise and ugliness virtues in a culture obsessed with harmony and beauty, punk’s means are destructive, but its impulse is creative. Sometimes, in its frisson of friction, lies escape.

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All Together Now: Oh Bondage Up Yours!

Alice Bag and Frightwig's Mia d'Bruzzi

Alice Bag and Frightwig’s Mia d’Bruzzi

It was literally my punk rock dream come true. There I was, on stage with some of my ultimate musical heroines, singing “Oh Bondage Up Yours!” The F Word show at Studio Grand in Oakland May 13 wasn’t just a historic first — Cali punk legends Alice Bag and Frightwig on a bill together. It was a feminist singalong and call to action. These are women, and one man (veteran keyboardist Eric Drew Feldman), who take seriously the participatory mission of DIY culture and embraced the intimate setting of a community space with photographs of social justice organizations on the wall. Though the Wig and Bag met in person for the first time that day, they quickly got into each other’s grooves and unleashed some fearsome woman power.

I did my best to warm the crowd up with a little discourse on the collusion of punk and feminism. (I’ll post my pieces later.) Having made the online introductions of the bands, I played MC and DJ (and a little Hype Woman too). After a critical karaoke of Patti Smith’s “Till Victory” (I’ll post that as well), I intro’d Bag — aka Alicia Velasquez — and her bassist, awesome Angie Skull. Alice interspersed excerpts from her memoir Violence Girl and her new book, Pipebomb for the Soul, about her days in Nicaragua with the Sandinistas, with songs. Frightwig’s Deanna Mitchell, Cecilia Kuhn, Mia d’Bruzzi, Eric Drew Feldman and I joined in as backing singers for “Women on Top” and “Modern Day Virgin Sacrifice.”

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Then, it was Frightwig‘s turn. But first, more Bag Wig McDonnell: I recited Poly-Styrene’s famous intro to “Oh Bondage Up Yours,” and then there we all were, an unplugged rendering of the classic punk feminist anthem. I even sang the second verse, Nike help me. (The goddess, not the shoemaker.) Angie, Alice and I also aided and abetted the newish Frightwig song “War on Women.”

The ‘Wig closed the evening with new songs as well as some of their classics from the 1980s, including “My Crotch Does Not Say Go.” Drummer Kuhn ended with the intense “Lament,” one of many songs that evening that probed uneven social systems and questions of identity.

We practiced our jams for the first time just an hour before the show started. It was also a rare acoustic show for Frightwig. So the night had a very raw, collaborative quality to it. Watching these women learn each other’s songs and find instant notes of harmony and grace — and of collision and dissent — was a tremendous, inspiring experience. I had gotten a taste of it the day before, at Stanford, when I watched Angie and Alice join Allison Wolfe (Sex Stains, Bratmobile, etc.) for another herstoric jam, this one a rendering of the Bratmobile ode to  a girl named “Panik.” I know punk isn’t about technical virtuosity, but I just have to say it: All these women can really sing. Without the distortion, you could hear that.

I’m so grateful that I got to be not just a witness, but a participant, in these moments.

Thanks to Vanessa at Studio Grand and to Ruben Martinez, Jeff Chang, and Ellen Oh at the Stanford Institute for Diversity in the Arts for making these moments happen.

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