Tag Archives: All Hail the Queens of Noise

Karyn the Kuhlest

Karyn KuhlFor the final act in my series of posts about my collaborators for All Hail the Queens of Noise, I  wrote about the artist I’ve known the longest. I first met Karyn Kuhl back in the 1980s when I was a fledgling journalist in Providence. It’s incredible that our paths are crossing again this Thursday. I chose Karyn as a Woman Over 38 whom I admire for a special issue of the website Tue/Night. I can’t wait to hear her wail Joan Jett style Thursday night. Be there or be sad.

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The Incredible Tammy Faye

The Stay-At-Homes

The Stay-at-Homes

Like a good – and female – drag queen, Tammy Faye Starlite doesn’t impersonate great women; she invokes them. She’s most famous for her Nico act, Chelsea Madchen, which is smart, funny, tragic, and lovely. While aptly pointing out the anti-Semitic Velvet Underground singer’s numerous faults, she also made me appreciate her talent. I haven’t seen Tammy’s Blondie tribute band the Pretty Babies or her Runaways manqué the Stay-At-Homes. But from the way she talks about learning to portray Debbie Harry and Cherie Currie, I know she gets it.

“I really love Cherie’s voice – it’s husky and she imbues each song with both attitude and subtlety, similar to the way Debbie Harry does, although their sounds are so different,” Faye said in a recent email. “Cherie is so much fun to play onstage – she has certain signature moves – the single knee-bend, the arm flap, the squat/crouch, the Bowie-esque mime. She was definitely in command as frontwoman, which I love. I also love the L.A. inflections in her voice and her slightly Liza Minnelli-style ‘s.’ She’s a very physical performer – she bodily punctuates the beat and is full of kinetic energy. Debbie Harry is also physical, but to me she seems much cooler, much more ‘come to me’ as opposed to beseeching the audience to come to her. Nico barely moved at all – I love doing her almost catatonic stance, but it’s hard for me, in a way, because I’m inherently a spazzy freak and cliched ‘entertainer.’ (Must be my Jewish upbringing.) As Cherie, I get to be my teenage self, who jumped in front of the mirror with a hairbrush and did interpretive dances to ‘Honky Tonk Women.’ (Also, shamefully, to Billy Joel’s ‘My Life,’ but we’ll keep that to ourselves.)

“Speaking of Judaism (were we?), I think my favorite song to do is either ‘American Nights’ – it’s so gloriously anthemic – or Lou Reed’s ‘Rock and Roll’ (even though my husband pointed out that the Runaways do the Mitch Ryder version). It must be the New Yorker in me – I have to stop myself from saying, ‘She stawted dee-ancin…’ I don’t always succeed in that endeavor.” Continue reading

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