Tag Archives: Adele Bertei

Women Who Rock Over America

Adele Bertei. Photo by Lucretia Tye Jasmine. Tori Amos artwork by Lindsey Bailey

When I started editing Women Who Rock: Bessie to Beyonce. Girl Groups to Riot Grrrl, I knew we would be honoring a matrilineal history, but I didn’t know we would birth a sisterhood. During the two-year process of producing this book, my 30something contributors and I went through death, birth, divorce, band breakups, and band formations – not to mention the election and tyranny of a misogynist, racist pig. Some of these women I have known as dear friends for decades (love you Jana, Vivien, Ann!). Some I am still meeting. Getting to present with many of these writers during the WWR book tour has been powerful and empowering. We are making alliances and forging friendships.

Evelyn McDonnell. Photo by Solvej Schou

 

The last night of the tour on December 6 brought this all home, literally, to LA. I was honored to be joined by three gifted women at Beyond Baroque in Venice before a full house. I started the evening by reading the words of one of our New York-based sisters, Caryn Rose, who wrote about Beyond Baroque as the place where Exene Cervenka met John Doe, and “the world shifted on its axis.” Solvej Schou followed by talking about PJ Harvey, then belting Harvey’s 1993 song “Man-Size” – and when Solvej belts, you can hear her down the block. She also played her own recent composition, “America.”

Solvej Schou. Photo by Lucretia Tye Jasmine. PJ Harvey artwork by Anne Muntges

 

Thoughtful, funny, personal, philosophical, DJ Lynnee Denise described her odyssey of discovering Bjork: from Crenshaw to Iceland and back. The night closed with a true musical legend. Adele Bertei is one of the original girls who invented punk rock. She began her career working with the doomed, gifted Peter Laughner (Pere Ubu), moved to New York and introduced Brian Eno to the No Wave scene, in which she played as a member of the Contortions. She was in the all-girl, out-dyke band the Bloods before you were born, and her film career includes a starring role in the cult film Born in Flames. Adele read from her WWR essay about Tori Amos, then performed two original songs, including one also called – wait for it – “America.”

DJ Lynnee Denise. Photo by Lucretia Tye Jasmine. Bjork artwork by Winnie T. Frick.

 

Women Who Rock. Making America great again, for real.

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Adele Bertei’s Venus Flytrap in LA Weekly

I first met Adele Bertei when I accompanied Wayne Kramer’s organization Jail Guitar Doors on a visit to the Twin Towers Correctional Facility. Jail Guitar Doors brings guitars and musical instruction to the incarcerated. There was a group of musicians that day, putting on a show, and one pixie-ish woman was introduced as Adele. “What’s your last name?” I asked, and when she answered “Bertei,” I got all fangirlish. Bertei was a pioneer of the New York postpunk scene, playing for the Contortions and the Bloods, the infamous all-girl band. As a solo artist and songwriter, she has kicked around the underground and pop scenes on both coasts and in Europe since. She also acted in the incredibly ahead-of-its-time film Born in Flames. Continue reading

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Clang Clang: Jail Guitar Doors Concert

Wayne Kramer and Tom Morello on guitars, Tim Robbins on tambourine. Photo by Evelyn McDonnell.

Wayne Kramer and Tom Morello on guitars, Tim Robbins on tambourine. Photo by Evelyn McDonnell.

The second annual benefits concert for Jail Guitar Doors promised guest artists, and last night at the scenic John Anson Ford Theatre, Rock Out 2! delivered. From Ben Harper playing slide with mom Ellen at his side, to Jackson Browne and Tim Robbins bashing out Bobby Fuller’s “I Fought the Law” (smart thematic choice for the evening), to show organizer Wayne Kramer and Tom Morello kicking out the jams, it was an evening of surprising and surprisingly tasty collaborations.

The concert took a while to find its groove. But when Jill Sobule sang her funny sweet song “Jetpack,” well, the music got air. The plucky songster also traded electric barbs in an ax faceoff with Kramer, the former MC5 guitarist and JGD main man. The Harpers plucked and twanged a protest lament about Monsanto. I have to admit I’ve been lukewarm on the son in the past but am now smitten by this charming man. Ditto Jackson Browne: The Big Rock Star of the evening was humble and musicianly, duetting beautifully with Harper. “Running on Empty” was maybe unnecessary — isn’t he sick of playing it? — but still, I now want to see him again at Way Over Yonder.

Tim Robbins and Jackson Browne at Rock Out! Photo by Evelyn McDonnell

Tim Robbins and Jackson Browne at Rock Out! Photo by Evelyn McDonnell

Former Rage Against the Machine guitar god Morello finished the evening with a blistering set with his band the Freedom Fighters Orchestra. He unveiled a timely new song, “Marching on Ferguson,” and did his usual de/reconstruction of “The Ghost of Tom Joad.” I can never see him play that enough times, with or without Bruce. (Natch, I’d prefer with.)

Then it was time for the obligatory all-star finale. Harper failed to answer Morello’s calls for a historic jam — wisely, since instead of playing “Bulls on Parade” WHICH WOULD HAVE BEEN THE PERFECT SONG FOR A NIGHT ABOUT JUSTICE IN THE AGE OF FERGUSON (sorry, got overheated there), they played — OMG — Kiss’s “Rock and Roll All Nite.” Sigh. Maybe rock really is dead.

Fortunately the eclectic ensemble closed with the MC5 classic “Kick Out the Jams.” Typical LA overload: There were so many talents on stage — including pioneering punk siren Adele Bertei, and singers Harper Simon and Cody Marks — that some of them didn’t even get their moment to shine.

I went into Twin Towers Correctional Facility with Jail Guitar Doors in May. They played a great show and Wayne gave a rousing speech before a couple hundred inmates. The nonprofit, founded by Billy Bragg in England, goes into prisons, giving residents guitars and teaching them in songwriting workshops. So not only was it a night of generous, rousing music in a gorgeous venue under a clear sky, it was all for a good cause.

 

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