Galileo in Cabrillo

I think Galileo would appreciate tonight's moonrise over Cabrillo

I think Galileo would appreciate tonight’s moonrise over Cabrillo Beach.

Big news for San Pedro: The next production of The Industry, the site-specific, tech-savvy, game-changing Los Angeles opera company, will take place at Cabrillo Beach in 2017. The Industry is pretty much the coolest theater company in Southern California, if not the world. Their production of Invisible Cities, based on the Italo Calvino novel, was staged at Union Station, with protagonists Marco Polo and Kublai Khan mingling with real travelers in real time. Last year, their “mobile opera” Hopscotch moved from various  spots in Downtown LA. Both drew tremendous acclaim and press attention.

The company debuted a gorgeous film of Invisible Cities at Pedro’s Warner Grand Theatre this evening. They opened the event by announcing Bertolt Brecht’s Galileo as their next production. The show will take place around a bonfire on Cabrillo — aka my front yard. (After the party, there will be the after-party.) Artistic Director Yuval Sharon said the Industry chose San Pedro because of our town’s (see what I did there? “Our Town?”) “long rich history of labor equality, their union history, and their connection to the port.” Galileo depicts the battle between reason and authority — a timely issue, as Sharon noted. The Industry will be working in collaboration with Tim Robbins’ politically conscious The Actors’ Gang (whom I saw stage a production of Our Town, coincidentally, several years ago), with art by locally based sculptor Liz Glynn. Even more encouragingly, Sharon said the company is eager to work with homegrown businesses and talent. Representatives of locals-only arts organizations San Pedro Ballet and Grand Vision were in the house.

As a denizen of the beach, I’m not so crazy about Sharon’s request for a helicopter; we get enough of those around here, thank you very much. But otherwise, as we say around these parts, STOKED.) Galileo will take place September 16, 17, 23, and 24.

Ironically, right before the announcement and screening, the San Pedro International Film Festival wrapped with a panel discussion about establishing a creative corridor in town. The conversation was interesting but lacking in context and depth, conflating technology with arts and never addressing how gentrification is another word for displacement. The whole conversation was largely rendered moot with the Industry’s announcement next door, though the panelists seemed oblivious of the pending tremblor. In the words of Angela Romero, “that’s so Pedro.”

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Nagasaki Wins DLPP

I’m honored to have again served as a judge for the Dayton Literary Peace Prize, an award that honors not just good writing but writing for a good cause. Ruben Martinez and I were handed six strong finalists, but ultimately, Susan Southard’s powerful Nagasaki blew us away with its meticulous reporting and devastating narrative. It’s a powerful book that is timely not just because the 50-year anniversary of the dropping of the atomic bombs just passed, but because it provides compelling evidence of how horrible humankind can be to itself — and why we can’t let power get into the wrong hands.

I was also happy to see my former Village Voice colleague James Hannaham was the runner-up for the fiction award. (I only judged the non-fiction category.)

Below is the press release for the winners and finalists. Continue reading

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SPIFF Brings Art, Music

Brotherhood Raceway from the Eddie Meeks Archive

Brotherhood Raceway Park on Terminal Island c. 1990. Photograph by Eddie Meeks. Courtesy Cornelius Projects & The Eddie Meeks Archive

Fast cars. Rock stars. Street art. The San Pedro International Film Festival rolls into my hood this weekend with an especially cool lineup. The festivities start tonight with the usual monthly highlight of the Peedrow social calendar: Art Walk. October’s iteration features the opening of a SPIFF-sponsored pop-up gallery featuring works by artists in the documentary Dark Progressivism, about LA’s graffiti and mural arts history (which screens October 15). There’s also an exhibit about the Brotherhood Raceway, the defunct street-racing venue on Terminal Island, culled from the photo archive of Eddie Meeks and curated by my good friends Laurie Steelink (Cornelius Project/Track 16) and Tim Maxeiner. The gallery will be open during box-office hours throughout the festival, at the SPIFF Lounge at 446 W. 6th Street.

Wayne Kramer licks out the jams on Friday.

Wayne Kramer licks out the jams on Friday.

On Friday guitar legend Wayne Kramer (MC5) and his wife Margaret Saadi will talk about their work bringing music to prisons with their organization Jail Guitar Doors (named after the Clash song which includes Kramer as a subject), as well as play some music. Some of the greats of Latin jazz, including Michel Camilo and Chucho Valdes, are showcased in the documentary Playing Lecuona, about the influence of the Cuban pianist Ernesto Lecuona, screening Oct. 15. Other festival highlights include Lunafest, the collection of short films by women that usually contains some gems, and some virtual reality fun. This is the most diverse and probably the hippest SPIFF ever. Full schedule at

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Silas Howard: Transparent’s First Trans Director

Tribe 8 was one of my favorite bands of the 1990s. I followed them to the end of the earth — well, to the Michigan Womyn’s Music Festival. They changed the world that year, smashing generation gaps and sending the ladies of the land into the moshpit. They never got their due and still don’t; in Pitchfork’s recent list of punk feminist anthems, their seminal voice is woefully MIA — still too rad for that site’s chamber-music cultural feminism aesthetic. So I was thrilled to catch up recently with guitarist Flipper, now going by the name Silas Howard and an accomplished director of film and television. Here‘s how I wrote it up for the LA Weekly.

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We could feel the waves pounding the shore in our beds. That’s new. For the last six years, we’ve lived in an apartment perched on a cliff above Cabrillo Beach featuring a jaw-dropping view of the Pacific. Often at night, we can hear the waves – especially when the surf comes in, like it did early yesterday morning. We called it our tree-house beach villa. We thought we would never move.waves

Last weekend though, we did. The stone and glass mid-century bungalow just two doors away went on sale for only the third time in history and miraculously, blessedly, we could afford it. And because being 400 feet from the ocean wasn’t close enough, we slid down the hill 200 feet. Now, we don’t just hear the crashing; we feel it. First, there is the crackling crescendo, as the water starts to fold on top of itself, molecules smacking into molecules. Then BOOM! A big wave pounding into sand sounds like thunder. It shakes the earth.

At daybreak, we were able to visualize what we had been hearing and feeling for hours. We still have a killer view, only now we look out across the ocean more, rather than down on the port of LA. I haven’t seen a swell like this in months. The waves were coming in like a rippling mountain range, forming perfect arcs across the horseshoe of the bay, breaking left to right, east to west in symmetrical rolls that are rare for usually choppy Cabrillo. Amazingly, there were no surfers at dawn. Word got out quickly though, and soon they were pulling up in their pickup trucks and jeeps, wetsuits already on or hastily pulled over shorts as they stood by their vehicles. This was one of my favorite activities at the old place: the peep show of the hot surfer boys barely hiding behind towels as they dress or undress. Apparently, the tinted glass of the new house curtains me as well as the high location of my old office window did; I can still get my voyeurism thrill on.

img_8064The intensity of the surf doused my own swimming plans. Conditions mandated a board and serious skills. In case I had any doubts, the presence of a lifeguard boat anchored at the buoy off-shore affirmed that this was a serious swell. Even if I had wanted to risk a swim, they probably wouldn’t have let me.

So instead, I watched, from the wall of glass that sweeps across three sides of our new great room (and great it is). Waves smashing into the fishing pier and each other formed 20-foot-high white plumes, rippling all the way across the stone breakwater to the black-and-white Angels Gate lighthouse. The dolphins surfed too, a pod of big and little ones, splashing so high in their frolics I wondered what was going on.

I was born in Los Angeles but moved to Wisconsin when I was four. California remained the golden dream for me as I struggled to fit into small-town Midwestern life. On our frequent visits back to my native land, I would walk through the beach communities visiting families and friends and fantasize that I would come back some day, to a place where I could swim year round. Now I’m living the dream.

It would be easy to spend all day watching the waves, the dolphins, the surfers, the birds. But this is the setting from which I work, not my retirement. It’s the place of beauty to reward that long commute home. I know how fortunate we are to be here (though honestly, as beautiful as it is, our home is also a fixer-upper).  I am the beneficiary of all sorts of privileges, to have landed on this perch, in this room with a view. I don’t take that for granted. I know that the water that is a balm for me is an escape route, or a death trap, for millions of people in danger and in trauma.

I respect the ocean and I cherish it. And I am grateful that when I wake in the night, sleepless and disturbed, worried about the world and my little corner of it, the sound of the waves lulls – and even rocks – me back to rest.


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Sitting Duck: The Life Aquatic

Cabrillo waveThe wave saw me before I saw it. I was paddling in on my kayak, to the outer beach at Cabrillo. The Pacific had been flat for days. In fact, the last several times I had been out swimming I had tried to catch a ride in and got nothing. I swear this was the first serious curl I had seen since we returned from summer vacation a week before. It definitely snuck up on me, and unfortunately on this day, I was in Skimmer, my kayak that’s named after one of my favorite local shore birds, and not looking to surf. I was a sitting duck, so to speak.

Maybe I hadn’t gotten my ocean groove back yet. I had been paddling all summer in Michigan, but this was my first time on the salt water in a few months. Bud and I took a quiet, two-hour paddle out to the red groaner buoy a couple miles off shore.  Sea lions crowded its metal, bell-shaped platform as it rocked in the swells, emitting its periodic low moan. Several young pinnipeds, their ribs pushing through their fur, scrambled for position on top of the soft pillow created by one elder’s giant gray body, as it sprawled patiently. There were more marine mammals sunning on the rocks at the foot of Point Fermin. A week’s worth of wind — that’s why they call this stretch of ocean Hurricane Gulch — had turned the sea an unseasonable 60 degrees, and the seals seemed as anxious to be out of its cold grip as we were. The kelp flourished this summer, and we paddled over its forest top, looking down at the plants swaying in the waves, like birds skimming over a jduckungle canopy. One other group of kayakers paddled past, couples in tandem vessels wearing bright vests and following a leader — “tourists,” I scoffed, half joking. Otherwise, it was quiet here off the shore of the fourteenth biggest city in the world, as it usually is.

I’ve been kayaking in San Pedro, the port community at the bottom of Los Angeles, for three years now, chasing whales and freighters, dolphins and, once, a two-story yellow inflatable duck. I love the water. It’s my element. I grew up canoeing, on Midwestern lakes and rivers, and ocean kayaking isn’t much different. Well, except for the waves.

I am very careful about kayaking on the outside, the ocean side. There’s an inner beach at Cabrillo too, inside the harbor, and that’s where we go if there’s any kind of swell; the breakwater impedes the ocean’s force. As an avid bodysurfer, I’ve been swirled in enough washing-machine action to understand Neptune’s power. A couple of minor wipeouts are enough to teach you that you do not want the hard plastic of a kayak banging against your shins or elbows. I always look back as I come in, out at the Point, where the water breaks first and, on swell days, the surfers gather like so many ants on matchsticks. The sets of larger waves hit Fermin first, and by monitoring their white foam, I make sure I slide in between danger. As I said, there hadn’t been much going on for a while — San Pedro’s surfers were nowhere in sight last Sunday.

Maybe, too, I was feeling a little over confident. I had been out in Lake Superior after a couple storms this summer. Believe me, the biggest body of fresh water in the world can kick up some action — just ask the Edmund Fitzgerald and all the other seagoing vessels lying broken on its bottom. In fact, I had gotten taken by surprise by a sleeper wave just åa few weeks ago, and I rode it 20 feet into shore, like a pro. The feeling of being snuck up on, grabbed, then hurled forward was exhilarating and scary, like flying on water. I love to bodysurf, but I don’t really like to be in the rough with a big piece of plastic. I trust myself, and H2O, but objects not so much — especially man-made ones. I don’t scuba, I free dive.

Today, I was coming in slow, checking for sets of larger waves. It looked easy, calm, no stress. Bud was ahead of me and cool as a cucumber, taking long strokes atop Scooter (his kayak, named after another avian Cabrillo resident). I was close to shore now, and probably could stand if I jumped out. Maybe I held back for too long, sussing the tide out, instead of just plowing forward. I turned around for one last look and there it was, a four-foot curl that had formed right on my stern and was ready to break. It was too late to pull back or go forward. “Watch out!” I screamed at Bud.

Like a bad dream I had imagined a hundred times before — this was exactly what I have always been scared could happen — the wave lifted Skimmer’s ass high in the air. For a few seconds, I was riding high — I was surfing. I thought maybe I was going to be okay. In fact, this could be the ride of my life.

But the boat was at the wrong angle, pitched way too steep, and the water was too shallow. The ocean slammed my bow into the sand with such force, I was sure it broke my boat. Skimmer somersaulted, I fell into the surf, the water was thick with kelp, and turning in the dark, in my element, I couldn’t tell for sure what was happening. I knew I needed to get out of the way of the boat — I didn’t need to hit my skull or shin on its hard body. So I went as deep as I could, letting the wave pass, before coming up for air.

Really, I was lucky. I could have landed on my head and broken my neck, or been bonked by Skimmer and knocked out. Instead, I was standing, and Skimmer was there beside me, in one piece, just full of kelp. My paddle was right there, and my water bottle. Just my cap and shades were gone. Oh, and my right foot was killing me.IMG_8094

Bud stood smugly in the backwash, having caught the wave perfectly and enjoyed a nice ride. He seemed to think my plight was funny. “Help me, grab the kayak!” I shouted. I knew I didn’t need to lose control of Skimmer to another wave, and I was having trouble walking.

“What happened? I missed it, I couldn’t look back, I was coming in,” Bud said.

“I got somersaulted. It sucked.”

“Oh man, that’s called a pole plant. I wish I had seen it!”

I’m sure the look on my face as the wave hoisted my butt in the air and tossed me, like an athlete vaulting over a pole, was something special, but frankly I was glad my husband had not witnessed my epic fail. I half expected a lifeguard or one of the scuba divers getting ready to go out for a swim would come and say something to me, like, “you okay?” But apparently my tussle with the wave was a private affair, just between me and it, a little bully shove in the bathroom to remind me who was boss, here in the falsely named Pacific Ocean.

My foot wasn’t broken, just badly bruised — “like her ego,” as Bud joked on Facebook. (Is there anything as sweet as being able to publicly relish a spouse’s mishap?) It was a bad start, a literal stumble, to a sabbatical year that I envision as full of ocean activity. I will heal. I’ll get back in the kayak, and, if it’s calm — like, really calm — I’ll go on the outside — though I will be even more cautious. At least for a while. When I’m in water, I’m in my element. That doesn’t mean it can’t kill me, but at least, I will die where I want to be, where I understand the balance between sinking and swimming, and usually, I make the right choice.P1020089

Dear readers, I’m trying something new here: a recurring feature on my affinity for water, a blog within a blog, which I am calling “Flotsam and Jetsam: The Life Aquatic.” Could become a podcast. Looking for comments and possibly a home/outlet.


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Rock Blocking with Jett and Heart

The cake backstage at the Forum.

The cake backstage at the Forum.

I hate classic rock. I just spent two months in a part of the country (the rural Midwest) where too many people still listen to the songs they made out to during their first hormonal bloom — where party mixes sound like a broken record that’s been stuck in a groove of guitar climaxes and sodden rhythms for forty years. Nostalgia is dangerous; this is also Trump country. Not only can I not bear to hear most of these overplayed ur-rock songs again — and admittedly, I loved them when I heard them as a youth myself, but I’ve discovered a zillion other great records since then that have not been so tirelessly overplayed. As a music historian, I also understand that the ’70s was not some golden age of rock. It was a time when commercially driven radio stations had inordinate power over what the country heard. Specifically, sleazy white male music directors with ugly mustaches and thinning hair picked out those songs that are now on endless repeat, their “taste” groomed by similarly attired record men pushing coke. (Don’t you watch Vinyl? I don’t.) It was a time when playlists were as segregated as my high school lunch room — the era of “disco sucks” — and when women artists were limited to one rotation per hour.

And yet there I was last night, at the Los Angeles stop of the Rock’n’Roll Hall of Fame tour featuring Heart, Joan Jett and the Blackhearts, and Cheap Trick. The presence of two female-led acts on the bill drew me, as did the invitation of my dear friends Veronique and Jon. After all, women are a small minority in the Hall of Fame, and Jett and Heart are two of the few female artists who smashed the glass ceiling of album-oriented radio in the ’70s and ’80s. I love the fact that these pioneers have hitched their wagons together, no silly Lilith nomenclature necessary. Plus, as a former resident of the Midwest, I have a soft spot for Robin Zander.

Frankly, I wish I had gone to see Adele or PJ Harvey instead. All three acts at the Forum played newer material, trying to maintain relevance in a world where analog has gone full cycle from obsolescence to retro chic. Cheap Trick nerdboy guitarist Rick Nielsen was self-aware about the impotence of this strategy; announcing a song from the band’s four-month-old album Bang, Zoom, Crazy … Hello, he sarcastically asked, “Anyone heard it?” (Answer: resounding silence.) It was the oldies — “I Want You To Want Me,” “I Love Rock and Roll”, “Magic Man” — that got the AARP audience to its feet.

Cheap Trick opened and Joan had the sweet spot in the middle. She and her band offered the perfect bridge between the Trick’s bubblegum metal (I mean that in a good way) and Heart’s acid-washed anthems. I’ve seen Joan I don’t know how many times, and she was in great form. I’m not sure I’ve ever watched so many thousands of people go crazy for her like that; she was clearly the star of the evening. Joan ate up the energy and fed it right back to the crowd. Maybe it helped that there were more female fans at the Forum than I usually see at a classic rock show. (I do go to them. Occasionally.) The Wilson sisters and Jett deserve immense kudos for the gender barriers they broke decades ago. And they have always been clear that they were fighting a battle, as Ann Wilson said when Heart played their old song “Even It Up.”

Very few musicians escape the burden of their own success. Even Lou Reed, that crank, was obligated to trot out “Walk on the Wild Side,” or at least “Sweet Jane.” I remember seeing Neil Young introduce his great song cycle Greendale at a West Palm Beach amphitheater, and the crowd hating on him big time because he wasn’t playing “Cinnamon Girl.” Bruce Springsteen keeps it fresh because he warned years ago about the dangers of thinking about nothing but “Glory Days.” But even the Boss has taken to replaying whole albums from his past live.

I would think Joan Jett is as tired of playing “Crimson and Clover” as I am of hearing it — more so. But she didn’t show it last night. And when, as she has for 23 years, she kept the pronouns as Tommy James intended them — “I think I could show her” — yeah, it felt bold, the daring of a woman ahead of her time. Hearing an arena sing along to a woman voicing desire for a woman is a glory day I can relive, over and over.

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