And “The Feminine Critique”!

In my list of articles I was blessed to write for the late, great Village Voice, I forgot to include perhaps the most significant: “The Feminine Critique”: the not-so-secret history of women rock critics that reclaimed the legacies of Ellen Willis, Karen Durbin, Jaan Uhelszki, Carola Dibbell, Donna Gaines, and many others and that became the basis of my first book, Rock She Wrote, coedited by Ann Powers. That article also obliquely pointed out one of the failures of the Voice as well, which at that point in its already long career, had not had a female music editor. I now teach a class called The Feminist Critique.
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