“Musical Gender Gap”

In 1985 I was a junior at Brown University, and already, I was aware of the rockcrit chauvinist establishment. I don’t actually remember my feminist consciousness being so raised, but recently, I received documentary evidence. In an application for an internship at the Providence Journal, I wrote, “My experience has taught me that it is very difficult to break into any aspect of the music business, particularly for a woman.” Tony Lioce, the Pro Jo‘s former music critic, recently sent me a copy of this application (I can’t believe he’s been carting it around all these years)! I got the job, and in fact, Lioce and other editors at the ProJo were extremely helpful in my effort to get “a foothold in bridging the musical gender gap.”

Check out the application here — you can see the seedlings of “The Feminine Critique” and Rock She Wrote:

Pro Jo application

1 Comment

Filed under Evelyn's articles, Queens of Noise, Recommended reading

One response to ““Musical Gender Gap”

  1. Pingback: Lioce on Lou | Populism

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s