In 1985 I was a junior at Brown University, and already, I was aware of the rockcrit chauvinist establishment. I don’t actually remember my feminist consciousness being so raised, but recently, I received documentary evidence. In an application for an internship at the Providence Journal, I wrote, “My experience has taught me that it is very difficult to break into any aspect of the music business, particularly for a woman.” Tony Lioce, the Pro Jo‘s former music critic, recently sent me a copy of this application (I can’t believe he’s been carting it around all these years)! I got the job, and in fact, Lioce and other editors at the ProJo were extremely helpful in my effort to get “a foothold in bridging the musical gender gap.”
Check out the application here — you can see the seedlings of “The Feminine Critique” and Rock She Wrote:
Populism 
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